A wonderful period of grace took place at the Dakota Jazz Club on April 8th and 9th, when, arguably, the world's most famous composer took the stage. Michel Lybrand's appearance in the Twin Cities marks that special place in the jazz universe that is especially reserved for the Dakota Jazz Club. LeGrand has done fewer and fewer tours over the last five years, and the Dakota stop is one of the precious few in the U.S.
For those of us not familiar with the name Michel (French pronunciation-Michelle) LeGrand-he grew up in Paris and graduated from the French Conservatory. Early on in his career arc, LeGrand collaborated with the most brilliant Black jazz musicians, to land in France, visitors and expatriates, alike. LeGrand did not choose color he chose style-and his body of work over 60 odd years clearly reflects his choices.
My personal favorite is the soundtrack from the original (1968) "Thomas Crown Affair". The song "The Windmills in Your Mind" is one of the most covered song in recording history. My personal tastes tend to lean toward beautiful melodies-LeGrand is like a 20th Century Puccini.... but larger....and in regards to musical depth, that’s huge!!
To place a range of depth on LeGrand's accomplishments he has accrued 3 Oscars and 5 Grammys. To underscore those tremendous accolades, LeGrand got the worst "screw" that an artist could possibly receive when he delivered his initial/debuted (1954) album, I Love Paris, to a royally receptive jazz world. The album sold in excess of 7 million copies-LeGrand received less than $300-and NO royalties! Talkin' bout a harsh reality...DAMN!!! That "royal boning" served the divine purpose of exposing, to the world, the most gifted composer. Most gifted is not reserved for the most volume and time, but he/she who inspires the most people to create off-shoot/sometimes great work based on LeGrand's initial work.
As evidence, please refer to Henry Mancini's offshoot version of "The Windmills of Your Mind". Mancini's version, on the 1984 "Collections" album. It took more than 15 years for the usually eager cover meister, Mancini, to "admit" (through "vinyl and gold inspiration" that LeGrand was at the time-and still is-The Maestro, da man, a much coveted air space in the musical world of greatness.
On the weekend of April 8-9 the Michel LeGrand trio played a bit of everything-the full house knew in an instant that divine musical history in the body of one beautifully aging Frenchman, was happening to command and enchant the ear of all within range. Michel LeGrand, French by birth, international by celebrity associative collaborations, is as composers go, in a class all by himself.
The musicians who accompanied LeGrand-themselves stars in other galaxies-drums were alternately blazed and soulfully coaxed by the ever so steadily appointed Willie Jones III. The bassist' Bassist -John Patitucci is a world classer in his own highest right, delivered the beautifully shy voice of LeGrand in his best songs. The moment was a special Dakota moment!
Look up Michel LeGrand his incredible body of work, by decade, collaborations, songs written, as written for musical scores, compositions theatrical, commercial, et.al.
If you ever get the opportunity to see Michel LeGrand-simply, GO!!
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